Tʜᴇ Gᴏᴠᴇʀɴᴏʀ (
broughtwhiskey) wrote2015-03-02 10:07 pm
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[In the early days of the port, Philip is down in the basement. He's commandeered himself a sword that isn't going to be missed by anyone living. Not his first choice by a long shot, but that will be a conversation with his warden for another time. He holds his own just fine in the servants' quarters. He's smart enough to try and avoid a fight if he can and even smarter to avoid touching any of the webs, but he does fine even when there are two or three spiders interested in what they think will be an easy dinner.]
[He makes relatively quick progress until he reaches the opera house. There he has a little more trouble moving on or back to the safety of the mezzanine. He refuses to stop and watch any of the "plays" being performed, but it's impossible for him to avoid being roped into a performance. Faced with the ghosts of his daughter and the woman he blamed for her death, he stands stock still, his sword falling from his hands with a loud clatter.]
[One way or another, he manages to escape the opera house. He's shakened by what happened there, even if he will not admit or show it to anyone else that might find him after that little "performance." He's not even trying to make it past the broken stair right away. Time unravels here as he seems to endlessly wander up and down until it seems to no longer matter. He can't keep going up and down forever though, so eventually he does take a seat on one of the steps. He's not giving up, but he needs to figure out which way is actually up and which way is down. He just...needs a minute.]
((ooc: You're free to pick anything from the library and down even if not mentioned explicitly here!))
[In the early days of the port, Philip is down in the basement. He's commandeered himself a sword that isn't going to be missed by anyone living. Not his first choice by a long shot, but that will be a conversation with his warden for another time. He holds his own just fine in the servants' quarters. He's smart enough to try and avoid a fight if he can and even smarter to avoid touching any of the webs, but he does fine even when there are two or three spiders interested in what they think will be an easy dinner.]
[He makes relatively quick progress until he reaches the opera house. There he has a little more trouble moving on or back to the safety of the mezzanine. He refuses to stop and watch any of the "plays" being performed, but it's impossible for him to avoid being roped into a performance. Faced with the ghosts of his daughter and the woman he blamed for her death, he stands stock still, his sword falling from his hands with a loud clatter.]
[One way or another, he manages to escape the opera house. He's shakened by what happened there, even if he will not admit or show it to anyone else that might find him after that little "performance." He's not even trying to make it past the broken stair right away. Time unravels here as he seems to endlessly wander up and down until it seems to no longer matter. He can't keep going up and down forever though, so eventually he does take a seat on one of the steps. He's not giving up, but he needs to figure out which way is actually up and which way is down. He just...needs a minute.]
((ooc: You're free to pick anything from the library and down even if not mentioned explicitly here!))
no subject
[But even with one disarmed, Philip's not looking to get all that close to them. He glances around until he spots a broken piece of stone from the floor. Dean was onto something with throwing the wood, but he needed a more refined throw and a little more weight behind it. Philip switches his sword to his left hand temporarily, crouching down to grab the rock. The lighting down here isn't the best, but he can see the rust on the armor that's currently trying to figure out how to get past the salt and to Dean. Standing back up, he aims low and straight for one of the knee joints of the armor still with sword. It was a gamble, but the throw is just hard enough that the guardsman has no choice but to drop that knee to the ground.]
[You're welcome, Dean.]
no subject
That doesn't mean that when help comes out of nowhere he wastes any time at all staring at the suddenly much shorter guard; he registers what happened, of course, knows there must be someone else in the room but that's not important. What's important is they took a shot at the suits of armor, not at Dean (or they missed Dean in an extremely useful way), and he has a very short window of time to take advantage of that.
His sword is out again in an instant - somewhat clumsy with lack of familiarity with this weapon in particular but plenty serviceable, plenty functional - and he puts all his not inconsiderable muscle behind the downward swing of the sword for where a mortal opponent's neck would meet their shoulder. Sparks fly, but he pulls back and does it again, and again, keeping it down until finally something separates and the helmet rolls away to the floor.
He can't tell if it disables the ghost right away, but it does seem to confuse it long enough for him to turn his attention back to the other ghost. If they think they're alive, if they think they're guardsmen still, maybe they'll respond to the same weaknesses. Falling back a moment to catch his breath from the other, he finally chances a glance over his shoulder, just in case.]
Nice shot.